Announcements Classes/Workshops Exhibitions & Events

Free Workshop, ARTFIX Feature, New Exhibit and More!

-1

Isn’t this a gorgeous catalog? I’m so thrilled to be part of this amazing show! Get a sneak preview here:

http://23sandy.com/works/product-category/current/wanderlust

 

_C1A3638

What a lovely surprise to see my work featured on ARTFIX daily!  Read all about it here, and find out why 20,000 is my new favorite number:

http://www.artfixdaily.com/artwire/release/4919-laguna-college-of-art-and-design-acquires-20000th-book

 

Reshaping the Shadows-Unseen Omens, ©2014, Elizabeth Sanford

It’s such an honor to be featured in Maxine Masterfield’s Spirit of Experimental Art, and it’s free to subscribe! The topic this time is “The Power of Observation,” so this piece, Reshaping the Shadows: Unseen Omens, is especially appropriate. I’m in the Finding Inspiration section; get your subscription here:

http://www.masterfield.net/experimental-art-newsletter

 

I’m offering quite a few workshops this summer, including a free one at the Green Hills Library; find out the details here:

Workshops & Classes

 

Announcements Exhibitions & Events

My First Billboard!

Vanderbilt Library, ©2016 Elizabeth Sanford

I never dreamed that I’d have work featured on a billboard! Art history students at Vanderbilt University selected and curated this exhibition; it’s an intriguing comparison of similar themes in medieval texts and contemporary book arts. I’m so honored that they chose one of my books; it was inspired by my 3-year-old niece – the figure can twirl on her string.

Here’s a photo from the reception and another view of the case featuring my piece.

Vanderbilt reception, ©2016 Elizabeth Sanford

Vanderbilt 4:25:16 show, ©Elizabeth Sanford

 

And there’s more! It’s rare that I  have 2 major events so close together! Here’s a shot of my table at Watkins College of Art, Design & Film. Saturday night was their big pARTy celebration.

Watkins pARTy, ©2016 Elizabeth Sanford

Mystery Technique

Mystery Technique #48

MT #48, ©2016 Elizabeth Sanford

Curious about how this was done? I’ll explain next month, so be sure to sign up for email updates!

 

ANSWER TO MYSTERY TECHNIQUE #47:

Here’s another example of what happens when you start with dark paper instead of white. This time I began with dark green Lama Li Lokta, a handmade paper from Nepal. While it has an interesting texture because of the fibers, I wanted more color variety. I used a crumpled piece of plastic to apply acrylic paint, making an irregular pattern of yellow greens and blue greens to contrast with the color of the paper.

Mystery Technique

Mystery Technique #47

MT#47, ©Elizabeth Sanford

Curious about how this was done? I’ll explain next month, so be sure to sign up for email updates!

 

ANSWER TO MYSTERY TECHNIQUE #46:

This is an example of paper marbling. I used a thin tool to swirl patterns in the colors before transferring the paint to a prepared piece of bluish gray Canson Mi Tientes. It’s the paper color and the use of white paint that give it such a distinctive look – this is what the paper looked like before I marbled it:

canson

Here’s the same blue and black paint on white paper:

marbling sample

 

Mystery Technique

Mystery Technique #46

MT#46, ©Elizabeth Sanford

Curious about how this was done? Sign up for email updates and learn the explanation next month.

ANSWER TO MYSTERY TECHNIQUE #45: This is a combination of wet-in-wet color mixing and glazing on Unryu paper, which I was delighted to find means “Cloud Dragon Paper.” It contains long, swirling strands of kozo, which caught part of the wet pigment, creating a delicate texture. I began by painting the surface with irregular bands of yellow-orange acrylic ink. After it dried, I add a glaze of diluted red watercolor mixed with granulating medium and sprayed it with water as it started to lose its sheen.