Author Archives: esanford

You’re Invited!

FlyingSoloReceptionFALL14

 

The opening reception for Reshaping the Shadows is Sept. 23, and I’d love to see you there if you can make it! Be sure to RSVP by Sept. 19 if you plan to come.

My work is in the case across from Starbucks, so you don’t have to go through the security checkpoint to see it.

Here are the details:

OPENING RECEPTION – The Flying Solo Series: Fall 2014Please join Arts at the Airport and the Metropolitan Nashville Airport Authority to meet a few of our exhibiting artists and to view their work.

 

TUESDAY,SEPT. 23, 20144 p.m. – 6 p.m. 

 

Nashville International Airport

Ticketing Level (third floor)

Waiting Lounge

Concourse C side, near Starbucks

RSVP is required.

HOW to RSVPRSVP is required bySeptember 19, 2014.

 

Reply to:

arts@nashintl.com or call (615) 275-1614.

 

Include full legal name (for example: the name on your driver’s license) and full date of birth. 

 

How to tour the exhibits:

  • Park in the Short Term Parking Garage. Parking will be validated.
  • Check-in at the Concourse C Waiting Lounge, near Starbucks.
  • Guests viewing exhibits beyond the checkpoint must undergo security screening. Please carry a government-issued photo ID, and do not bring items prohibited by the Transportation Security Administration (TSA).
  • For screening guidelines, visit TSA’s website: www.tsa.gov. Guests must check-in and enter security before 5:30 p.m. in order to tour exhibits beyond the security checkpoint.

 

Installation Day!

installation shot, ©Elizabeth Sanford

 

installation#2, ©Elizabeth Sanford

 

My show is up at the airport! These are installation shots, so final details like labels are missing. The large piece is 48 inches tall; we used rare earth magnets to hang the 2 panels an inch apart.

Mystery Technique #28

MT#28 copy

 

Want to learn more about how this was done? Check back next month for the explanation.

ANSWER TO MYSTERY TECHNIQUE #27: First I rubbed a piece of beeswax on the watercolor paper to preserve a little of the white; I then applied a layer of yellow. After it dried, I rubbed it with beeswax to preserve part of the yellow. Next I added the red layer.