Elizabeth Sanford

Curious about how I created these textures? You can find out the special techniques I used next month if you’ve signed up for email updates; I’ll explain more about it in September!

ANSWER TO MYSTERY TECHNIQUE #83:

This caterpillar started as an ink drawing, which I traced with a graphite pencil onto clear contact paper. I found out the hard way not to use a marker for this — even if the contact paper tracing has been dry for days, the marker around the edges tends to leave dark smudges on the watercolor paper when you press it down. After I finished painting the leaves, I removed the contact paper caterpillar and put down contact paper eyes as temporary masks while I painted the oranges in the body with diluted acrylic ink. When that layer was dry, I removed the contact paper eyes and started adding detail with a .005 black Micron pen. The last step was to add the blue spots with a mix of white gouache and acrylic ink.

This is a spicebush swallowtail caterpillar — it’s my favorite kind! You can find out the different steps in my caterpillar-painting process next month; I’ll share the details in August, so be sure to sign up for email updates!

ANSWER TO MYSTERY TECHNIQUE #82:

Part 1:

I began by using a brush loaded with lots of water to draw a loose network of looping shapes on hot press watercolor paper; then I dropped granulation medium, diluted yellow acrylic ink, and yellow and green liquid watercolor into the wet areas, leaving small patches of white paper.

Part 2:

After Part 1 dried, I taped a tracing paper drawing on top to act as a template, then cut out the basic leaf shapes with a craft knife. Next I painted the veins with Winsor & Newton’s Permanent Masking Fluid to preserve the underpainting — it’s so much easier to apply than other masking fluids, and you don’t have to remove it!  I added additional layers of yellow, green, and blue to create more dimension. After the paint dried, I stippled with a black Micron .005 pen to increase the sense of depth; you have to look closely to see the little dots!

This Mystery Technique has 2 parts. Wonder how I transform Part 1 into Part 2? You can find out the different steps in my leaf-painting process next month; I’ll share the details in July, so be sure to sign up for email updates!

ANSWER TO MYSTERY TECHNIQUE #81:

This painting represents an exciting new direction for me! I’ve started doing “energy paintings” as a warmup exercise. It’s a great way to loosen up and explore the emotional energy of different color combinations. These are all quickly done with liquid acrylic on large sheets of recycled paper left over from the Lantern Festival:

Most are inspired by the energies from recent dreams: