Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #109

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ANSWER TO MYSTERY TECHNIQUE #108:

Clear contact paper is great for masking! Be sure to press it down well to keep paint from running underneath, and use a pencil if you’re drawing shapes on the plastic side — marker lines tend to smear and stain the watercolor paper. Both the caterpillar and the leaf started with a very diluted layer of yellow acrylic ink; you can still see it in the eyespots. After that layer dried, I covered the shape of the caterpillar with clear contact paper to protect the yellow while painting the leaf. When the leaf was finished, I removed the contact paper and added 4 new pieces to preserve the yellow in the eyespots. To capture the intensity of the blue spots on top of the orange, I mixed the blue with white gouache. The last step was to add details with a black Micron pen.

Mystery Technique

Mystery Technique #108

Curious about the techniques used to paint this caterpillar? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #107:

It’s wonderful how much variety Granulation Medium can add! I started by making swirling strokes with water and a large modified brush, then dropped in diluted yellow, using acrylic ink to prevent the color from lifting. I used a liner brush to make a few thinner strokes. After that layer dried, I made more swirling strokes with a mix of diluted Hydrus watercolors and Winsor & Newton’s Granulation Medium. Tilting the paper from side to side increased the granulating effects. For the third layer, I added more yellow and a mixed yellow green for more variety and depth.

Mystery Technique

Mystery Technique #107

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #106:

Here’s a sample of some different ways to use watercolor pencils; since the marks tend to disappear into the paint, these are on unpainted watercolor paper. You can experiment with working on dry versus wet paper or wetting the tip of the pencil to deposit more pigment in an irregular way. The brush and damp piece of sponge help me blend the pencil into the surface. Prismacolor and Derwent are my favorite brands. In next image, I’ve used the pencils to sketch in the edges of some roots:

Now I’ve added another layer of paint in a few places:

See if you can spot where I added some pencil for a little more texture: