Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #86


Curious about how this was done? You can find out the special techniques I used next month if you’ve signed up for email updates; I’ll explain more about it in November!
 


ANSWER TO MYSTERY TECHNIQUE #85

This is my favorite exercise from one of my favorite books about the creative process — notice all the marked pages! It’s full of wonderful writing exercises that are easy to turn into painting prompts. These are “word tickets,” which are great for generating ideas for poems, stories, titles, paintings, and more! It’s especially fun to use them to do a collaborative painting project. You can even use them when you’re “stuck” about what to do next in a painting. Hunting in old magazines for promising words to add to your collection is part of the fun! My word tickets live in a special box, which you can see a corner of the photo. You can learn more, including how the author used them at an Art Opening in Chapter 4, “the answer squash.”


Mystery Technique

Mystery Technique #85

These tickets are one of my favorite creativity tools — I’ve been using them for years! Want to learn more? You can find out multiple ways to use them next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #84:

This is a great example of how important paper choice can be — I’ve only been able to get this technique to work on Arches cold press. Here are my tools:

I started with an underpainting of white diluted acrylic ink, painting a few linear shapes to vary the surface. After these dried, I used large hake brushes to thoroughly wet the paper, then added diluted Hydrus watercolors, Winsor & Newton Granulation Medium, and more water to make the liquid paint flow across the surface. By tilting the paper, using pipettes to apply the paint, and minimizing the use of brushes, I was able to increase the granulated effects. When the surface started to dry, I sprayed it with a spray bottle to increase the texture and pressed a wadded-up dry paper towel into the damp paint, which partially lifted the paint and created more complex textures. The “paper towel texture” doesn’t seem to work as well on other brands of papers.

Mystery Technique

Mystery Technique #84

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Curious about how I created these textures? You can find out the special techniques I used next month if you’ve signed up for email updates; I’ll explain more about it in September!

 

ANSWER TO MYSTERY TECHNIQUE #83:

This caterpillar started as an ink drawing, which I traced with a graphite pencil onto clear contact paper. I found out the hard way not to use a marker for this — even if the contact paper tracing has been dry for days, the marker around the edges tends to leave dark smudges on the watercolor paper when you press it down. After I finished painting the leaves, I removed the contact paper caterpillar and put down contact paper eyes as temporary masks while I painted the oranges in the body with diluted acrylic ink. When that layer was dry, I removed the contact paper eyes and started adding detail with a .005 black Micron pen. The last step was to add the blue spots with a mix of white gouache and acrylic ink.