Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #156

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ANSWER TO MYSTERY TECHNIQUE #155:

I love to collect fall leaves and use them as inspirations for paintings!

First I cut a maple leaf out of contact paper, removed the backing, and stuck the shape on watercolor paper; then I painted the background. After this layer dried, I used a damp sponge to apply suggestions of shadows. Next I removed the contact paper.

Before painting the leaf, I drew the veins with a waxy yellow colored pencil, which resisted the paint and left light veins surrounded by darker color. I scraped flecks of Derwent Inktense Blocks into the wet paint for added texture. After the leaf dried, I used a uni-ball Signo white gel pen to lighten parts of the veins and blended it in with a damp brush. I also used watercolor pencils to paint the stem and enhance some of the veins with darker touches. To create the hole in the leaf, I painted the shape with water and blotted it with a paper towel to remove some of the red before painting it grayish blue.

Mystery Technique

Mystery Technique #155

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #154:

Using clear contact paper is my favorite masking technique — it makes it so much easier to paint something like this tree! First I drew the trunk and branches on the contact paper and cut out the shape; then I removed the backing and firmly pressed the sticky shape on watercolor paper. Next I painted a graded wash of blue for the sky. While this layer was still damp, I took a ratty brush loaded with yellow paint and used it to push away the blue and add irregular shapes for the first layer of leaves.

After this layer dried, I continued using the ratty brush to add medium green and then a few touches of darker green shapes, softening some of the edges with a damp brush or sponge.

Next I removed the contact paper and painted the trunk and branches and also added a little more dark green.

For the final step, I added more depth and definition with a 05 Micron black pen.

Mystery Technique

Mystery Technique #154

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #153:

Painting water is much easier if you have the right kind of fan brush! The stiffer bristles of oil and acrylic ones work better than those for watercolor, and you can get more varied marks if you give your brush a haircut.


I started this painting with the sky and its reflection in the water, using a wet-in-wet mixture of yellow and rose for the first layer. After this dried, I added a glaze of blue in places. Next I painted the distant island with a thin glaze and let the sky color show through for more depth and luminosity. I added the first layer of the other 2 islands before building up light strokes with this modified fan brush to hint at the water‘s motion and to suggest the islands‘ reflections. I finished by using a damp sponge to apply slightly darker greens on the islands to create the texture of foliage.