Tag Archives: Wet-in-wet

Mystery Technique

Mystery Technique #161

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ANSWER TO MYSTERY TECHNIQUE #160:

It’s surprising how little paint and water you need for this technique! After painting the yellow center, I worked on each petal separately. First I wet the petal shape; then I touched a damp brush to undiluted Quinacridone Magenta and quickly applied it in the direction of the petal’s growth, using another damp brush to blend it in and mimic the pansy’s texture. I continued painting with 2 brushes in the same way to finish the first layer of each petal. For the 2nd layer, I put a little undiluted Winsor Violet in a third brush and continued blending the strokes in the same way.

Mystery Technique

Mystery Technique #154

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ANSWER TO MYSTERY TECHNIQUE #153:

Painting water is much easier if you have the right kind of fan brush! The stiffer bristles of oil and acrylic ones work better than those for watercolor, and you can get more varied marks if you give your brush a haircut.


I started this painting with the sky and its reflection in the water, using a wet-in-wet mixture of yellow and rose for the first layer. After this dried, I added a glaze of blue in places. Next I painted the distant island with a thin glaze and let the sky color show through for more depth and luminosity. I added the first layer of the other 2 islands before building up light strokes with this modified fan brush to hint at the water‘s motion and to suggest the islands‘ reflections. I finished by using a damp sponge to apply slightly darker greens on the islands to create the texture of foliage.

Mystery Technique

Mystery Technique #151

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ANSWER TO MYSTERY TECHNIQUE #150:

You can add more texture to your paintings with Derwent Inktense Blocks! I started by using pipettes to create several layers of undulating shapes with diluted yellow and blue acrylic inks, mixing them wet-in-wet to make various greens. After these dried, I painted the background with a pale mixture of yellow, green and blue watercolors plus some Winsor & Newton Granulation Medium. Next I quickly shaved off flecks of yellow, blue and magenta Inktense Blocks with my painting knife. These stuck to the wet paint and added floating specks of color on top of the other layers.