Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #158

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 


ANSWER TO MYSTERY TECHNIQUE #157:

You can create luminous colors with glazing! I started with a wet-in-wet mixture of Hansa Yellow Medium and Permanent Rose. After this layer dried, I added a little Cobalt Teal Blue and French Ultramarine.

I finished the sky by adding another layer of French Ultramarine. This had to dry completely before I started the mountains, painting each one in a separate layer.

To create a sense of atmospheric perspective, I let the distant mountains fade into the sky and used darker values and more texture in the closer mountains.

Mystery Technique

Mystery Technique #157

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 


ANSWER TO MYSTERY TECHNIQUE #156:

You can create intriguing textures by glazing with diluted Hydrus watercolors! This leaf started with a layer of yellow. After it dried, I wet the entire shape and dropped in Hydrus Permanent Red and Winsor & Newton’s Granulation Medium. I tilted the paper back and forth to increase the texture. When this layer was dry, I wet the leaf again and added Hydrus Sap Green, more Granulation Medium, and the veins, which I scratched in with the end of a metal paint tube.

Mystery Technique

Mystery Technique #156

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #155:

I love to collect fall leaves and use them as inspirations for paintings!

First I cut a maple leaf out of contact paper, removed the backing, and stuck the shape on watercolor paper; then I painted the background. After this layer dried, I used a damp sponge to apply suggestions of shadows. Next I removed the contact paper.

Before painting the leaf, I drew the veins with a waxy yellow colored pencil, which resisted the paint and left light veins surrounded by darker color. I scraped flecks of Derwent Inktense Blocks into the wet paint for added texture. After the leaf dried, I used a uni-ball Signo white gel pen to lighten parts of the veins and blended it in with a damp brush. I also used watercolor pencils to paint the stem and enhance some of the veins with darker touches. To create the hole in the leaf, I painted the shape with water and blotted it with a paper towel to remove some of the red before painting it grayish blue.