Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #134

January 20, 2024 – 4:24 pm

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ANSWER TO MYSTERY TECHNIQUE #133:

After sketching the cardinal on tracing paper, I used a light box to transfer the drawing onto watercolor paper. Next I mixed several reds for the first layer and added a little New Gamboge to the beak. When this layer dried, I rewet the paper, then painted bluish black next to the beak before quickly adding another layer of red. I came in wet-in-wet with a pale brownish gray to suggest darker feathers and shadows; to control the results, I kept this color drier than the red. I finished the eye, beak, and feet with watercolor pencils and stippling with a .005 Micron black pen.

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Mystery Technique

Mystery Technique #133

December 20, 2023 – 6:30 pm

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #132:

First I created irregular branching shapes by applying diluted acrylic gloss medium with a pipette. I let these dry before painting the paper with a watercolor mixture, which only partially adhered to the acrylic. After this layer dried, I used a brush to spatter the surface with diluted acrylic gloss medium and white acrylic ink and also added a few lines with a white Posca pen. Once the spatters dried, I rewet the painting and blotted with paper towels to partially lift off the watercolor paint; this left soft halos around some of the spatters.

I then let the painting dry before adding more white Posca pen lines and finishing with a wet-in-wet mixture of French Ultramarine and Permanent Rose.

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Mystery Technique

Mystery Technique #132

November 20, 2023 – 7:05 pm

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #131:

I started by wetting the paper and adding pale blue for the sky. While it was still wet, I wadded up a paper towel and lifted some irregular patches out of the blue before adding yellow. After this layer dried, I drew the split tree trunk, then painted several layers of foliage.

Next I added the trunk. To create the bark texture, I scratched the paper with the end of a metal paint tube to make dark lines in the wet paint and then quickly added kosher salt, which absorbed some of the color. After this layer dried, I brushed off the salt.

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