Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #144

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ANSWER TO MYSTERY TECHNIQUE #143:

First I cut a maple leaf shape out of clear contact paper and attached it to watercolor paper, pressing down the leaf’s edges to keep paint from running underneath. Next I masked out the stem with a Molotow Masking Marker. After wetting the paper, I mixed diluted Hydrus Liquid Watercolors wet-in-wet and put several partially decomposed leaves towards the bottom. While the paint was still wet, I placed part of a plastic bag on top and manipulated the plastic with both hands to make interesting shapes. I waited for the painting to dry completely before removing the plastic, the masking, and the leaves. Here’s the result:

Shadows under the maple leaf came next, as well as touches of yellow and orange, especially in the partial leaves. I painted the leaf wet-in-wet and quickly scratched out the veins with the end of a metal paint tube before sprinkling in kosher salt for texture. After the paint dried, I brushed off the salt and used watercolor pencils for a few finishing touches, including the stem:

Mystery Technique

Mystery Technique #143

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #142:

I started by wetting the paper and painting the sky with a graded blue wash. While it was still wet, I lifted out the blue with a crumpled paper towel in places where I wanted to add foliage. Next I painted those spots with yellow. When the paper was dry, I drew the outline of the tree trunk with a pencil before painting the first layer of the ground, lifting the color out of the trunk with a damp sponge.

Next I painted the distant trees in several muted layers, blotting and softening edges to help create a sense of depth. I used multiple layers of vibrant colors for the main tree’s foliage and softened some of the harder edges with a damp sponge or brush. After painting the trunk and branches, I quickly blotted with a paper towel to suggest dappled light. When the trunk and branches were dry, I added detail with watercolor pencils. I used a fan brush to add a cast shadow under the tree.

Mystery Technique

Mystery Technique #142

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #141:

I started by painting a blue sky. Before it dried, I lifted out the blue in places with a wadded-up paper towel and quickly added yellow to suggest distant foliage. After this layer dried, I painted the shape of the tree trunk with water, then added a mixed grayish brown and scratched into the wet paint with the end of a metal paint tube to add linear details. Next I added the first layer for the ground.

To make the distant foliage more dimensional, I used a modified brush to make a series of irregular green marks and added hints of branches and trunks.

I suggested the forest floor with small irregular brown and green strokes. After the painting was completely dry, I added more definition and detail with a Micron .05 black pen.