Tag Archives: Acrylic Ink

Mystery Technique

Mystery Technique #125, Part 2

This one continues next month! Look for Part 2’s answer in May!

ANSWER TO MYSTERY TECHNIQUE #125, PART 1:

No masking is needed for this technique! Painting your subject before the background can be easy if you paint the shapes with acrylic and then switch to watercolor for the background.

First I used a brush loaded with water to draw a series of branching shapes on dry paper, modifying them by blotting parts away with a dry paper towel and using a pipette to selectively add more water. Next I dropped diluted acrylic ink into the watery branches, mixing the colors wet-in-wet. As the water slowly evaporated overnight, it left behind a record of its interactions with the paint and paper:

I painted the background with 2 layers of watercolor. First I wet the entire piece of paper, which had no effect on the acrylic; then I mixed Winsor Yellow and Permanent Rose over parts of the painting and wiped the watercolor paint off of the acrylic shapes with a damp brush and sponge. Since the watercolor didn’t want to stick to the acrylic, it was easy to remove:

After this layer dried, I rewet the entire painting again and added diluted Faience Blue (Maimeri Blu brand):

The branching shapes also have more than 1 layer. You can learn more next month in Part 2.

Mystery Technique

Mystery Technique #111

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #110:

It’s amazing how many times acrylic ink can be layered on Yupo without losing its transparency! As you may have guessed, this is part of the same painting as Mystery Technique #109. It’s fun to apply the paint with pipettes; the smaller ones give you more control but have a tendency to clog up, so it’s important to keep them clean. To increase the sense of depth and texture in the first few layers, I waited until the edges of the shape dried and then removed most of the remaining paint.

Mystery Technique

Mystery Technique #109

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #108:

Clear contact paper is great for masking! Be sure to press it down well to keep paint from running underneath, and use a pencil if you’re drawing shapes on the plastic side — marker lines tend to smear and stain the watercolor paper. Both the caterpillar and the leaf started with a very diluted layer of yellow acrylic ink; you can still see it in the eyespots. After that layer dried, I covered the shape of the caterpillar with clear contact paper to protect the yellow while painting the leaf. When the leaf was finished, I removed the contact paper and added 4 new pieces to preserve the yellow in the eyespots. To capture the intensity of the blue spots on top of the orange, I mixed the blue with white gouache. The last step was to add details with a black Micron pen.