Tag Archives: glazing

Mystery Technique

Mystery Technique #125, Part 2

This one continues next month! Look for Part 2’s answer in May!

ANSWER TO MYSTERY TECHNIQUE #125, PART 1:

No masking is needed for this technique! Painting your subject before the background can be easy if you paint the shapes with acrylic and then switch to watercolor for the background.

First I used a brush loaded with water to draw a series of branching shapes on dry paper, modifying them by blotting parts away with a dry paper towel and using a pipette to selectively add more water. Next I dropped diluted acrylic ink into the watery branches, mixing the colors wet-in-wet. As the water slowly evaporated overnight, it left behind a record of its interactions with the paint and paper:

I painted the background with 2 layers of watercolor. First I wet the entire piece of paper, which had no effect on the acrylic; then I mixed Winsor Yellow and Permanent Rose over parts of the painting and wiped the watercolor paint off of the acrylic shapes with a damp brush and sponge. Since the watercolor didn’t want to stick to the acrylic, it was easy to remove:

After this layer dried, I rewet the entire painting again and added diluted Faience Blue (Maimeri Blu brand):

The branching shapes also have more than 1 layer. You can learn more next month in Part 2.

Mystery Technique

Mystery Technique #125

Curious about the techniques used in this painting? Here’s a preview of the first layer:

You can see the next steps in April if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #124:

This is an example of Delcalcomania! It’s a transfer technique that makes intriguing textures; I first heard about it years ago in connection with the Surrealists. I started by using a palette knife to apply a mixture of acrylic white paint and gel medium on a green acrylic background. Next I stuck another piece of paper on top of the wet mixture, pressing them together before pulling the 2 surfaces apart at an angle, which created this texture:

After it dried, I glazed over it with diluted acrylic inks. To get back to white ridges in a few places, I used a piece of an Eraser Pad (up&up brand) to remove some of the dried ink.

You can learn more about this technique and see some examples from art history here:

https://www.moma.org/collection/terms/decalcomania

Mystery Technique

Mystery Technique #123

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #122:

Glazing, gloss medium, plastic, and pipettes are combined for this Mystery Technique! First I used a brush to spatter the paper with acrylic gloss medium and let it dry. When I painted over the spatters with watercolor, they resisted the wet paint and created the sensation of light circular shapes floating in the color. Next I covered the wet paint with a piece of thin plastic, which stuck in places to form darker shapes. Working quickly, I manipulated the shapes with a palette knife and brush handle. After this layer dried, I removed the plastic, then repeated the process with a darker blue-green at the bottom. I used pipettes for the last layer to create an irregular network of linear shapes, drawing them with water before adding diluted blue-green and tilting the paper to encourage the paint to follow the water.