Tag Archives: Watercolor textures

Mystery Technique

Mystery Technique #159

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ANSWER TO MYSTERY TECHNIQUE #158:

Masking fluid and waxed paper are the stars of this mystery technique! First I tore rock shapes out of junk mail and temporarily attached them to the paper with tape. To create the effect of waves crashing against the rocks, I used a wadded up piece of plastic wrap to apply masking fluid and save the white of the paper. I waited for the masking fluid to dry before painting the sky with a graded blue wash. After this layer was dry, I painted the water with a slightly duller blue. Next I removed the torn pieces of paper and painted the rock shapes with a mix of browns and dark gray. While the rocks were still shiny wet, I pressed wrinkled wax paper into the wet paint and put a heavy book on top. I waited until the next day to remove the waxed paper, which left a series of intriguing shapes. I then added touches of darker colors to make the rocks more dimensional.

Next I removed all the masking fluid.

To create more sense of motion and depth in the crashing waves, I used a small piece of a cleaning eraser (the Target brand) to soften some edges and also added a few touches of blue gray.

Mystery Technique

Mystery Technique #157

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ANSWER TO MYSTERY TECHNIQUE #156:

You can create intriguing textures by glazing with diluted Hydrus watercolors! This leaf started with a layer of yellow. After it dried, I wet the entire shape and dropped in Hydrus Permanent Red and Winsor & Newton’s Granulation Medium. I tilted the paper back and forth to increase the texture. When this layer was dry, I wet the leaf again and added Hydrus Sap Green, more Granulation Medium, and the veins, which I scratched in with the end of a metal paint tube.

Mystery Technique

Mystery Technique #156

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #155:

I love to collect fall leaves and use them as inspirations for paintings!

First I cut a maple leaf out of contact paper, removed the backing, and stuck the shape on watercolor paper; then I painted the background. After this layer dried, I used a damp sponge to apply suggestions of shadows. Next I removed the contact paper.

Before painting the leaf, I drew the veins with a waxy yellow colored pencil, which resisted the paint and left light veins surrounded by darker color. I scraped flecks of Derwent Inktense Blocks into the wet paint for added texture. After the leaf dried, I used a uni-ball Signo white gel pen to lighten parts of the veins and blended it in with a damp brush. I also used watercolor pencils to paint the stem and enhance some of the veins with darker touches. To create the hole in the leaf, I painted the shape with water and blotted it with a paper towel to remove some of the red before painting it grayish blue.