Tag Archives: Wet-in-wet

Mystery Technique

Mystery Technique #145

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ANSWER TO MYSTERY TECHNIQUE #144:

After masking the main leaf, I painted the background with a wet-in-wet mixture of Daniel Smith’s Green Apatite Genuine, Blue Apatite Genuine, and Hematite Burnt Scarlet Genuine. While the paint was still wet, I dropped in kosher salt to add more texture. Next I let that layer dry completely before brushing off the salt, removing the masking, and painting the main leaf. The textures and patterns left behind by the salt became my inspiration for suggesting pebbles, sticks, and partially decayed leaves in the rest of the painting. I used a 0.5 mm Pentel Arts Hybrid Technica Pen to draw a combination of dots, scribbles, and lines for definition and detail. Next I added some light watercolor washes to create shadows and other finishing touches. Here’s a detail:

And here’s the whole painting:

Mystery Technique

Mystery Technique #144

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #143:

First I cut a maple leaf shape out of clear contact paper and attached it to watercolor paper, pressing down the leaf’s edges to keep paint from running underneath. Next I masked out the stem with a Molotow Masking Marker. After wetting the paper, I mixed diluted Hydrus Liquid Watercolors wet-in-wet and put several partially decomposed leaves towards the bottom. While the paint was still wet, I placed part of a plastic bag on top and manipulated the plastic with both hands to make interesting shapes. I waited for the painting to dry completely before removing the plastic, the masking, and the leaves. Here’s the result:

Shadows under the maple leaf came next, as well as touches of yellow and orange, especially in the partial leaves. I painted the leaf wet-in-wet and quickly scratched out the veins with the end of a metal paint tube before sprinkling in kosher salt for texture. After the paint dried, I brushed off the salt and used watercolor pencils for a few finishing touches, including the stem:

Mystery Technique

Mystery Technique #134

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates!

ANSWER TO MYSTERY TECHNIQUE #133:

After sketching the cardinal on tracing paper, I used a light box to transfer the drawing onto watercolor paper. Next I mixed several reds for the first layer and added a little New Gamboge to the beak. When this layer dried, I rewet the paper, then painted bluish black next to the beak before quickly adding another layer of red. I came in wet-in-wet with a pale brownish gray to suggest darker feathers and shadows; to control the results, I kept this color drier than the red. I finished the eye, beak, and feet with watercolor pencils and stippling with a .005 Micron black pen.