Category Archives: Mystery Technique

Mystery Technique

Mystery Technique #150

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #149:

This technique combines granulating watercolors with rubbing alcohol!  First I created a wet-in-wet mixture of Lunar Blue and Rose of Ultramarine. While the paint still had a wet sheen, I quickly added multiple drops of rubbing alcohol. The alcohol pushed the water away, leaving behind a series of nesting circular shapes.

Mystery Technique

Mystery Technique #149

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #148:

I started by using a ratty brush to create the first layer of the background foliage. Next I painted the ground with a wet-in-wet mixture of 2 granulating greens and yellow, then lifted out the roots with a damp sponge. After this dried, I painted the roots wet-in-wet and used the end of a metal paint tube to scratch linear patterns for the bark before sprinkling in kosher salt for more texture.

I let this layer dry, then brushed off the salt and added 2 more layers to the foliage before finishing the ground. Working on dry paper, I used a modified fan brush and a piece of non-slip shelf liner to add more texture and kept the color out of the roots with pieces of torn paper. I also darkened a few places with watercolor pencils.

Mystery Technique

Mystery Technique #148

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #147:

After wetting the entire piece of paper, I painted around the shapes of the clouds with Cerulean Blue, using the point of an oval wash brush to create wispy edges and blotting excess blue away with a dry paper towel or damp sponge. Next I added hints of blue for cloud shadows. After this layer dried, I painted the main clouds wet-in-wet with diluted Hansa Yellow Medium and Permanent Rose, using a damp brush and sponge to soften edges or make transitions between wet and dry areas. The darker clouds were painted in the same way with a mix of Permanent Rose, Cerulean Blue, and Blue Apatite.