Tag Archives: Wet-in-wet

Mystery Technique

Mystery Technique #151

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #150:

You can add more texture to your paintings with Derwent Inktense Blocks! I started by using pipettes to create several layers of undulating shapes with diluted yellow and blue acrylic inks, mixing them wet-in-wet to make various greens. After these dried, I painted the background with a pale mixture of yellow, green and blue watercolors plus some Winsor & Newton Granulation Medium. Next I quickly shaved off flecks of yellow, blue and magenta Inktense Blocks with my painting knife. These stuck to the wet paint and added floating specks of color on top of the other layers. 


Mystery Technique

Mystery Technique #150

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #149:

This technique combines granulating watercolors with rubbing alcohol!  First I created a wet-in-wet mixture of Lunar Blue and Rose of Ultramarine. While the paint still had a wet sheen, I quickly added multiple drops of rubbing alcohol. The alcohol pushed the water away, leaving behind a series of nesting circular shapes.

Mystery Technique

Mystery Technique #149

Curious about the techniques used here? You can learn more next month if you’ve signed up for email updates! 

ANSWER TO MYSTERY TECHNIQUE #148:

I started by using a ratty brush to create the first layer of the background foliage. Next I painted the ground with a wet-in-wet mixture of 2 granulating greens and yellow, then lifted out the roots with a damp sponge. After this dried, I painted the roots wet-in-wet and used the end of a metal paint tube to scratch linear patterns for the bark before sprinkling in kosher salt for more texture.

I let this layer dry, then brushed off the salt and added 2 more layers to the foliage before finishing the ground. Working on dry paper, I used a modified fan brush and a piece of non-slip shelf liner to add more texture and kept the color out of the roots with pieces of torn paper. I also darkened a few places with watercolor pencils.