Tag Archives: Wet-in-wet

Mystery Technique

Mystery Technique #144

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ANSWER TO MYSTERY TECHNIQUE #143:

First I cut a maple leaf shape out of clear contact paper and attached it to watercolor paper, pressing down the leaf’s edges to keep paint from running underneath. Next I masked out the stem with a Molotow Masking Marker. After wetting the paper, I mixed diluted Hydrus Liquid Watercolors wet-in-wet and put several partially decomposed leaves towards the bottom. While the paint was still wet, I placed part of a plastic bag on top and manipulated the plastic with both hands to make interesting shapes. I waited for the painting to dry completely before removing the plastic, the masking, and the leaves. Here’s the result:

Shadows under the maple leaf came next, as well as touches of yellow and orange, especially in the partial leaves. I painted the leaf wet-in-wet and quickly scratched out the veins with the end of a metal paint tube before sprinkling in kosher salt for texture. After the paint dried, I brushed off the salt and used watercolor pencils for a few finishing touches, including the stem:

Mystery Technique

Mystery Technique #134

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ANSWER TO MYSTERY TECHNIQUE #133:

After sketching the cardinal on tracing paper, I used a light box to transfer the drawing onto watercolor paper. Next I mixed several reds for the first layer and added a little New Gamboge to the beak. When this layer dried, I rewet the paper, then painted bluish black next to the beak before quickly adding another layer of red. I came in wet-in-wet with a pale brownish gray to suggest darker feathers and shadows; to control the results, I kept this color drier than the red. I finished the eye, beak, and feet with watercolor pencils and stippling with a .005 Micron black pen.

Mystery Technique

Mystery Technique #133

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ANSWER TO MYSTERY TECHNIQUE #132:

First I created irregular branching shapes by applying diluted acrylic gloss medium with a pipette. I let these dry before painting the paper with a watercolor mixture, which only partially adhered to the acrylic. After this layer dried, I used a brush to spatter the surface with diluted acrylic gloss medium and white acrylic ink and also added a few lines with a white Posca pen. Once the spatters dried, I rewet the painting and blotted with paper towels to partially lift off the watercolor paint; this left soft halos around some of the spatters.

I then let the painting dry before adding more white Posca pen lines and finishing with a wet-in-wet mixture of French Ultramarine and Permanent Rose.